blaisdell Ivey collected

Nicole Blaisdell Ivey/ Gus Blaisdell

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  • Nicole Blaisdell Ivey
    • Photographs
      • Dreaming Peace is not enough
      • OK (Awk) the Raven guards the Langjokull Glacier, Iceland
      • Burque Revolt—A fierce poetic force to be reckoned with
      • Women’s March on Washington Albuquerque Rally
      • Kristin Diener Jewelry – Meeting and Response
        • Kristin Diener Jewelry Albuquerque Museum of Art
  • Living Batch Bookstore
    • Gus and Stanley Cavell at The Living Batch bookstore
    • Stanley Cavell recording at The Living Batch Bookstore
    • Living Batch Bookstore (pieces of history)
    • Living Batch, an Illuminating Piece of History of What Was, from Patricia Nelson
    • GUS on Frank Stella
    • His Heaviness— a video portrait
      • Bill Pearlman
    • Links
  • Gus Blaisdell Collected
    • For Jacket Copy / by JB Bryan
    • HIS HEAVINESS IS LAUNCHED
    • IN THE BEGINNING IN THE END
    • Publisher’s Note/ Contents/ Bibliography
    • GBC Review in RAIN TAXI by Geroge Kalamaras
      • Telling it like it is / Review of GBC
    • Message from Momaday
      • GBC reader’s comments
    • BOOK RELEASE
      • Bookworks hurrah
      • DISCUSSING GUS Dec. 5th 4pm UNM bookstore
        • GUS BLAISDELL COLLECTED
        • DISCUSSING GUS
  • Gus writings
    • FILM IS A FINE ART
      • Film Studies Gus’ Notes on Remarriage Comedies
    • What Was Called “A Thought Echoed in Sight” Yvor Winters Centenary
    • After Ground Zero on Evan Connell
    • James Baldwin A Kidnapped Pagan
    • GUS on Frank Stella
    • ‘Bldgs’ – Gus Blaisdell on Lewis Baltz’s New Industrial Parks
    • Gus Blaisdell interviews artist Constance DeJong “That’s beautiful. It leaves the viewer with the infinite.”
    • Doors of Memory and Desire

GUS on Frank Stella

Gus with Joe Bacon at an exhibition of Frank Stella’s work. Photo by Janet Maher

Gus’s essay, FRANK STELLA The Whiteness of the Whale, republished in Gus Blaisdell Collected in 2012, originally appeared in Artspace Magazine, vol.13, no.3 (July/August 1989). Gus was on the cutting edge as usual.

 

 

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